To All Writers of Everything Ever

peranora:

latenightspooky:

I need to rant about this:

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Also known as the best writing program ever! It’s a full-screen writing program!

So you open it up, and it looks like this:

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You’re thinking, “Ok, so what? It’s a screen with a picture. Whoopdie do.” But it get’s better! It’s customizable!

See that “appearance”? Click it.

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You can also use custom fonts that you have installed!

See that “music”? Click it.

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If you drag your own music into the folder, like so:

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You get this!:

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But wait! It gets better!

See “typing sounds”? You can change those too!

Perhaps the best is – YOU CAN USE ANY PICTURE FOR THE BACKGROUND. It will automatically fade it for you!

Seriously, guys, this tool is wonderful. You can use it for:

  • Research papers
  • Novel writing
  • Play writing
  • Short stories
  • Homework assignments
  • Ranting about your friends when they piss you off
  • Writing your shopping list

It auto-saves. It exports to .rtf. Hotkeys from Word for italicize, underlining, and bold work. You can print RIGHT FROM THERE.

And the seriously best thing ever?

It fits on a flash drive. The entire thing with added music is maybe 131MBs.

The bestest thing ever.

It’s free.

HOW TO BRING BACK PPL WHO STOPPED WRITING IN 2009

We have just filmed the special, which as you may know is set in 1885. I swear to God I couldn’t answer this for laughing for fully five minutes but Steven [Moffat] and I were asked, ‘How can Sherlock Holmes exist in an era without iPhones?’ He just said, ‘There is some history of that’. We are answering all the same questions we were asked five years ago but upside down. Our version has so fundamentally become Sherlock Holmes that people have trouble thinking it could be Victorian.

Mark Gatiss, The Big Issue, March 30-April 5, (x)

(N.B. Another misquote of 1885?)

Neil Gaiman: “We’re working on seeing how many smart-alec answers we can come up with when people ask us how we collaborated.”

Terry Pratchett: “I wrote all the words, and Neil assembled them into certain meaningful patterns… What it wasn’t was a case of one guy getting 2/3 of the money and the other guy doing ¾ of the work.”

NG: “It wasn’t, somebody writes a three-page synopsis, and then somebody else writes a whole novel and gets their name small on the bottom.”

TP: “That isn’t how we did it, mainly because our egos were fighting one another the whole time, and we were trying to grab the best bits from one another.”

NG: “We both have egos the size of planetary cores.”

TP: “Probably the most significant change which you must have noticed [between the British and American editions] is the names get the other way ‘round. They’re the wrong way ‘round on the American edition [where Gaiman is listed first] —”

NG: “They’re the wrong way ‘round on the English edition.”

TP: “Both of us are prepared to admit the other guy could tackle our subject. Neil could write a ‘Discworld’ book, I could do a ‘Sandman’ comic. He wouldn’t do a good ‘Discworld’ book and I wouldn’t do a good ‘Sandman’ comic, but —”

NG: “— we’re the only people we know who could even attempt it.”

TP: “I have to say there’s a rider there. I don’t think either of us has that particular bit of magic, if that’s what it is, that the other guy puts into the work, but in terms of understanding the mechanisms of how you do it, I think we do.”

NG: “There’s a level on which we seem to share a communal undermind, in terms of what we’ve read, what we bring to it.”