Oh my God I’m not sure of the accuracy of this scale but I made one anyways.
1: Jane Austen. Theoretically Romantic, mostly a clever satirist more interested in the novel as the perfect vehicle for social commentary than in poetry for capturing emotion. Very little chance of swooning and/or dramatic death. A very safe spot on the Romanticism scale.
2: Dorothy Wordsworth: Actually a Romantic, though not excessively so! Enjoy your long walks in the country. Keep those diaries. Your brother can mine them for publishable material until people consider them finally worthy of academic interest a century or two later.
3: Wordsworth. May result in later becoming annoyingly conservative but mostly harmless. Go ahead and wander lonely as a cloud. Gaze upon that ruined abbey.
4: Charlotte Turner Smith. Recover that English sonnet and transform it into a medium that mostly expresses sorrow! Help establish Gothic conventions! Have what Wordsworth called a true feeling for rural England! Die in penury and be forgotten by the middle of the nineteenth century!
5: Blake. ?? Who even knows man. Talk to angels. Create your own goddamn religion. Confuse all of your contemporaries.
6: Mary Shelly. Go ahead and run off with that unhappily married poet who took you on dates to your mother’s grave, but this may result in carrying your husband’s calcified heart around in a fragment of his last manuscript the rest of your life. But also, arguably inventing sci-fi as a genre… so that’s some consolation.
7: John Keats: listen to that nightingale but be forewarned: you will die of TB in Rome and everyone will mock you for dying of bad criticism instead of, you know, infectious disease.
8: Coleridge. May result in never finishing a poem and a severe opium addiction.
9: Percy Shelly. May result in being expelled from Oxford and in premonitions of your own death by drowning.
The world is changed. I feel it in the water. I feel it in the earth. I smell it in the air. Much that once was is lost; for none now live who remember it.
modern greek mythology adaptation where hades and persephone are played by john mulaney and his wife
She’s hades, he’s Persephone
Oh no, no. John Mulaney is 100% Hades.
Loves his wife
Is actually pretty chill except when it comes to stupid people
Can’t stand up for himself when others try to do him wrong
And from what we hear about her, she’s very Persephone.
Easy to underestimate
Knows her own mind
Will cut you
“So, I meet this wonderful lady. Just fantastic, my heart does that thing where it’s skipping beats, and I – all of you think I’m going to talk about how I suavely asked her out, and that is not what happened.
“I ride up in my chariot, and the first – this is literally the first thing I say to her is ‘do you want to meet my dog’?
“And this – I – this is a sign that this woman is my soul mate – she looks at her friends hanging around and says, ‘sure, catch you later, guys’.
“I’m going to skip forward here a couple of dates – no, don’t – this is not the story of how my wife met my dog – and her mom – her mom – finds out she’s seeing me. Now I know everyone jokes about how a girl’s dad is this big, hulking – going to hunt you down if you’re dating his daughter and he doesn’t like you. But if you say that, it’s because you’ve never had some girl’s mom glaring up at you from like – her mom’s like two inches taller than her, so this little furious glare from around my chin area, saying her daughter’s not allowed to come see me anymore.
“And this – okay, this is when I knew I was going to marry this girl, she looks at her mom and, cool as anything, says, ‘Too late, mom. I met his dog, ate dinner over here. I’m staying’.”
“Fairy tales are more than moral lessons and time capsules for cultural commentary; they are natural law. The child raised on folklore will quickly learn the rules of crossroads and lakes, mirrors and mushroom rings. They’ll never eat or drink of a strange harvest or insult an old woman or fritter away their name as though there’s no power in it. They’ll never underestimate the youngest son or touch anyone’s hairpin or rosebush or bed without asking, and their steps through the woods will be light and unpresumptuous. Little ones who seek out fairy tales are taught to be shrewd and courteous citizens of the seen world, just in case the unseen one ever bleeds over.”
You have 29 Days to listen to Dirk Maggs’ BBC adaptation of HOW THE MARQUIS GOT HIS COAT BACK. It stars Paterson Joseph, Adrian Lester, Bernard Cribbins, Don Warrington and Mitch Benn. It’s glorious. YOU CAN LISTEN TO IT FOR FREE ANYWHERE IN THE WHOLE WORLD ON BBC iPLAYER.
Lady Karasu 