Martin [Freeman] did this amazing thing of having a military bearing.

It’s something that’s in the [Conan Doyle] stories all the time; Sherlock’s always deducing things in the original stories based on people’s military bearing, and you think—‘What is that?’

Martin came in and did it—‘Oh look, he’s a soldier.’

He looks, he stands like a soldier. Everything about it worked.

Mark Gatiss, on Freeman’s impressive audition for the part of John Watson.

(Royal Television Society’s Sherlock: Anatomy of a Hit, March 2014 [x])

[ Skulls & Tea | Sherlock Creator Quotes Collection ]

(via rominatrix)

prettyarbitrary:

ivyblossom:

jaradel:

Martin “I’ll just do that with a look” Freeman

I’ve been watching these for longer than I’d like to admit. I’m impressed by how much is going on in them.

In the first gif he’s concerned and direct, cautious, driven. He has a purpose, and he knows what it is. The world is very clear to him. He knows who he is in this situation. In the second gif he just looks irritated. He’s still certain, confident, and centred. Up is up, down is down. Easy.

The third one: that might be my favourite shot of the entire show. I swear to god he ages himself down at least 15 years in that gif with just his eyes. That’s pure vulnerability, don’t you think? Defences he didn’t even know he was hiding behind were just stripped away with no warning. It’s as if the universe just changed shape in front of him. I don’t think he’s afraid; or, perhaps fear is difficult to parse with John Watson, since he doesn’t react to fear the way the rest of us do. He’s looking Irene right in the face there with a question forming on the tip of his tongue that’s never going to lift off of it. That gif should come with the sound of screeching brakes.

But then in the fourth gif, everything changes. The vulnerability is still there, and so is the question, but he’s not looking at Irene anymore. He hasn’t moved at all, but suddenly you can see that he’s looking inward instead. He’s drifted off. He’s in a world of his own. It’s like she’s not even there anymore. He’s taken that question, the one he wasn’t asking Irene, and beginning to ask himself. Is up actually down? He’s not sure. If you wanted to, you could read him thinking, she’s discovered my secret, but I don’t think that’s what it is. He doesn’t look embarrassed enough for that. I imagine he’s thinking, oh god, is she right? That makes sense. That actually makes sense, that explains a lot. Well, shit. 

John doesn’t need Ella as a the therapist. She’s useless to him. He needs Mycroft (“You don’t have PTSD, you dolt, you’re turned on by danger! Lucky you, finding my brother! He’ll keep you in danger! But watch out, you might get addicted to him and start questioning your sexuality!”) Holmes and Irene (“Woohoo! Stop having an identity crisis, pretty little idiot, you’re just in love with your flatmate in defiance of your sexual orientation! It happens! See? That’s what’s happened to me, too! You’re not special! Get over it! And if you don’t, I’m going to steal him away from you if I can, obvs! Chop chop!”) Adler for all his mental health needs.

Oh, damn, I had never noticed the way his jaw shifts just a little bit to the left in that bottom one.  Ivy’s right.  That’s not a stunned face or a scared face or anything.  That’s a “Fuck, that’s an unexpectedly good point” face.

earlgreytea68:

This is John Watson. He’s adorable, right? 

He’s also maddeningly tricky to write. 

When I started writing Sherlockfic, it was Sherlock who intimidated me, Sherlock I avoided at all costs, for thousands of words, because he seemed like this complex little enigma. But there’s something about Sherlock, once I started writing him, that I found endearingly straightforward. You almost always know where you stand when it comes to Sherlock Holmes. 

It’s John who is the tricky one, John who is so maddeningly unpredictable. He seems so dull and unassuming, but, once you’ve written him, it takes roughly two sentences before you realize exactly why Sherlock is so fixated on him. He could be every adjective in the book, really. He is loyal and devoted but he’s also stubborn and independent. He follows Sherlock—as all Watsons must—and he tries to blend into the shadows cast by that overdramatic coat, but if you’ve spent any time at all thinking about him—and Sherlock has—then he’s really the star of the pairing. He is superhumanly tough, cool and calm under pressure, uncowed and unintimidated, but he is also very comfortably human at the same time, friendly and smiling. He likes to laugh and has a good sense of humor and people like him instinctively but he’s essentially a loner at heart and has few close friends, not that any of his acquaintances—other than Sherlock—would ever really stop to consider that, because John is mainly affable and easy-going and can fool anyone into thinking that he’s the most popular person there is.

Almost every time I write John, he manages to have some reaction, some line of dialogue, that surprises me. He’s so very good at rolling with all of Sherlock’s punches, until the moment when he isn’t anymore, and I don’t think I know that line any more than Sherlock does. 

He’s with Sherlock because Sherlock attracts him irresistibly, exerts a magnetic pull over him, keeping him in orbit—and, again, that’s how Watsons are—but he’s also with Sherlock because he wants to be with Sherlock. And how Martin Freeman embodies that so beautifully has impressed me more and more and more the more I go back to the canon to check up on my John. Sherlock may be an undeniable hurricane-strength force whirling through John’s life but John also chose him. He wasn’t just pushed around by the fate of it all, he likes Sherlock, he likes his life with him, he’s there because he wants to be. 

At least, that’s how I read John Watson. And that’s how I write John Watson. And I like my John, I really do, but it’s taken me several hundred thousand words to figure out what I think Sherlock saw as soon as he looked at him: that it’s John Watson who’s the complicated one. 

I guess that’s why Sherlock’s the genius. 

bakerstreetbabes:

jamandbiscuits16:

mysteria1243:

sherlock10knotes:

#Why does Martin Freeman have to be #such a good fucking actor #I could’ve handled Reichenbach #if John were played by somebody who overacts and was crying everywhere #but no #They just had to cast Martin motherfucking Freeman #and he is just so flawless in the way he plays John #So very stoic and yet you can see all the emotion in his eyes #Always trying to be a tough soldier yet obviously dying on the inside

(Source: pendragonemrys)

HOLY SHIT. Martin, your eyes.

MARTIN. PLEASE.

STAHP.

The way his voice cracks when he tries to touch Sherlock and they won’t let him ;_;

DAMN IT.

clarice82:

Dr. John H. Watson – Sleeping Sexy by =RedPassion

So well, yes, what should I say?! ^^”” I just felt of doing it… and honestly who wouldn’t wish John/Martin like that in her/his bed??? XDD

Made cause of a RPG I used to play *Q* and where he spends some sweet moments in France (<- the reason for this noble bed XD) And yes, I know the bed and the whole BG sucks… I’m sry! ;_; But who cares when you got naked Martin/John on it, right? XD

I also must admit that I drooled plenty of times while I was working on it…^///^

Cause THAT man is simple breathtaking and unbelievable SEXY!!!!

Am I right?

Anyway…

I hope you like it 🙂

lostconner:

John▪H▪Watson:” I don’t like people calling me a ‘War Hero’.What’s war? When you see those faces of innocent Afghanistan women and children full of fear; when your teammate holds your hand and says goodbye to the family that he will never see again; when you rush through the bullets and all you find in the end are bodies already dead…through all those moments what I feel is helplessness. There is nothing I can do. There is no hero in the war, just cruelness. ‘